REVIEW OF SHOSHANA IN DECEMBER BY SF CHRONICLE
“Equal parts uproarious, perceptive and tender, “Shoshana in December” isn’t just small theater at its best, but hold-your-breath teeny theater at its best.”
review of bright star by the Mercury news
“But it’s really the lively music and the high-stepping choreography of Meredith Joelle Charlson… that give [Palo Alto Player]’s production its heart.”
Review for Tinderella: the modern musical
"The show’s enhanced, too, by the whimsically genius choreography of Meredith Charlson, particularly in one show-stopping scene that demonstrates sexting and another that illustrates bump-and-grind one-minute stands."
Review of The Crucible by The Mercury News
'“The Crucible” opens rather innocuously, with a young group of schoolgirls dancing around as one stands atop a table. Though it appears innocent enough, what they do there reverberates throughout the remainder of the play. Their obsession and commitment to each other is eerie and disturbing.'
Review for tinderella: the modern musical
"The production is punctuated by riotous, foot-tapping musical numbers like “Old School Chivalry,” “Slow Grind Love Song,” and “(You’re Gonna) F***ing Rock It.” ...Meredith Joelle Charlson’s choreography adds much to the tear-inducing hilarity of lighter-hearted acts."
Review of Spring Awakening by Stanford Arts Review
".. production elements like the powerful, parallel choreography and blocking...established a crossover between the outdated and modern that created a foundation for the very relevant themes and scenarios to shine."